Thursday, April 23, 2020
Parallel Cinema Essay Example
Parallel Cinema Essay This movement is distinct from mainstreamà Bollywoodà cinema and began around the same time as theà French New Waveà andà Japanese New Wave. This cinema borrowed heavily from theà Indian literatureà of the times, hence became an important study of the contemporary Indian society, and is now used by scholars and historians alike to map the changing demographics the and socio-economic as well political temperament of the Indian populace. Right from its inception, Indian cinema has had people who wanted to and did use the medium for more than entertainment. They used it to highlight prevalent issues and sometimes to throw open new issues for the public. An early example was Chetan Anandsà Neecha Nagarà (1946), aà social realistà film that won theà Grand Prizeà at theà first Cannes Film Festival. Since then, Indian independent films were frequently in competition for theà Palme dOrà at theà Cannes Film Festivalà throughout the 1950s and early 1960s, with some of them winning major prizes at the festival. * Adoor Gopalakrishnanà extended the Indian New Wave toà Malayalam cinemaà with his filmà Swayamvaramà in 1972. Long after the Golden Age of Indian cinema, Malayalam cinema experienced its own Golden Age in the 1980s and early 1990s. Some of the most acclaimed Indian filmmakers at the time were from the Malayalam industry, including Adoor Gopalakrishnan,à G. Aravindan,à Padmarajan,à John Abraham (director),à T. V. Chandranà andShaji N. Karun. Gopalakrishnan, who is often considered to beà Satyajit Rays spiritual heir,à directed some of his most acclaimed films during this period, includingà Elippathayamà (1981) which won theà Sutherland Trophyà at theà London Film Festival, as well asà Mathilukalà (1989) which won major prizes at theà Venice Film Festival. We will write a custom essay sample on Parallel Cinema specifically for you for only $16.38 $13.9/page Order now We will write a custom essay sample on Parallel Cinema specifically for you FOR ONLY $16.38 $13.9/page Hire Writer We will write a custom essay sample on Parallel Cinema specifically for you FOR ONLY $16.38 $13.9/page Hire Writer Shaji N. Karuns debut filmà Piravià (1989) won theà Camera dOrà at theà 1989 Cannes Film Festival, while his second filmà Swahamà (1994) was in competition for theà Palme dOrà at theà 1994 Cannes Film Festival. His third filmà Vanaprasthamà (1999) was also selected toà Cannes Film Festival, making him the only Indian film maker who could take consecutively three films to Cannes. * Cinema attracts and inspires alike over the ages. The youth can be commonly seen following the dressing or the hair styles donned by the film stars. It can be well concluded from thus that films constitute an integral and inseparable part of our society and our lives. Vice-versa our films have also portrayed the gradual changes in our society and the schema of people. * With the economic progress of India, the filmy hero left the cycle and drove a bike and then a car. The major problems in protagonists life changed from financial to romantic. The Indo-China war revived the wave of patriotism in people. Films like HAQIQAT were made then. Similarly when the war in Kargil triggered, BORDER, was released which banked upon the revived patriotic feeling in the audience. * The past, the currant fashions and the blind icon worship by the Indian audience bestows a unique power to the directors and other people associated with this industry. It could be rightly said that they hold the ability to mould the public opinion and change the scenario more effectively than the political leaders because cinema is the mirror of society.
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